A Type of Goulash
So many things have happened since my last blog in December. Such a mix of emotions. I thought I’d share a little in this month’s blog. A lot of heartbreak, moreover, a lot of celebration of life.
Read MoreSo many things have happened since my last blog in December. Such a mix of emotions. I thought I’d share a little in this month’s blog. A lot of heartbreak, moreover, a lot of celebration of life.
Read MoreWell, I decided to do a remod on my 2013 Gibson Les Paul New Traditional, not so much that “I” am going to do the actual work on it (I don’t trust me);
Read MoreOur 14-year-old dachshund, Rascal, crossed the rainbow bridge on October 6th at 11:15 pm. He was dearly loved and will be forever missed.
Rascal was diagnosed with CHF (congestive heart failure) earlier this summer when he collapsed in the yard and lost all mobility in his legs. We rushed him to the vet, and there we were told he suffered some back spasms. They found he had CHF, which was a factor with his age and condition.
Sadly, the vet also informed us that with the CHF, Rascal would be lucky to live another 2 years. Though this news was sad and his passing was quite sudden, my wife held him close till the very end; she had raised him from a pup. We will, for the rest of our days, embrace the wonderful memories he gave us.
October 7th Rascal’s body made the last journey to the Fairlea Animal Hospital here in West Virginia. We made the final arrangement to have his body cremated.
On October 14th Rascal finally came home, we had gotten a sympathy card from the vet’s office with Rascal’s paw print on the inside of the card. They have been very good to our fur babies and we thank them for all they do for them.
I really don’t expect this month’s blog to be long, in fact, it was actually going to be a rant about a purchase I made from Guitar Center in Fairfax, Va. The rant as this blog was meant to become a fast and quick resolve…………
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Between seeing the KISS Dynasty tour in ‘79 and my summer job at Chicago fest in ‘81 and ‘82, my interest in making music was rekindled again; I had been taking acoustic guitar lessons off and on since age 13 at the Chicago Boy & Girls Club in the uptown area a couple of years before those events.
My fixation on the Gibson Les Paul is mainly due to Jimmy Page, but I also owe a great deal to Ace Frehley. It was Ace and the Les Paul that sparked my interest in my music journey. I’d have to say, it was between the TV shows “Midnight Special” in 1975. Don Kershner’s Rock Concert in ‘76 on a small black-and-white TV sealed it.
Around the same time, some friends and I hung out at this spot called Biasco Music on 5535 W. Belmont Ave. I had to look that up, but it's restaurant and a parking lot now. We’d smoke some pot, jam to tunes on the record player, and later you’d find us in one of Biasco’s sound booths just messing around on random guitars. That’s where I got my first real guitar—a brown tobacco sunburst 1978 Gibson Les Paul. I know I was high when I bought it because I couldn’t figure out why I had a layaway receipt in my pocket the day after visiting the store. In the end, though, I paid $500 for it, which wasn’t a bad deal considering Gibson only made about 5,000 Les Paul’s that year, and they had a street price of $749. Back then, I was in several bands, each one a close-knit group brought together by our love of music. We’d rock out to the hits of the time, but our original songs always had that punk rock vibe that reflected our energy.
Here’s Eddie(drummer)and I in better times, he’s holding my 1978 Gibson Les Paul
Pictured above is my old ‘78 Gibson Les Paul, along with an Alvarez 12-string acoustic guitar. I traded my fluorescent green Charvel Model 2 guitar to a friend (we swapped back later).
Nearly 40 years after my original guitar was stolen, am I still bitter about it? I was for many years, until I recently contacted the person who took it and shared my feelings. That conversation allowed me to move on; I guess I just needed to hear some kind of explanation for his actions. A couple of factors motivated me to play again. I wanted to return to playing for my own enjoyment, and I have to credit my renewed love for the guitar to a couple of musicians I discovered on YouTube: Dave Simpson and his band, the Dave Simpson Trio from the UK, as well as Jeff Mcerlain, a performer and instructor based in NYC. I'll link their channels below.
So, in late May 2021, I went on Reverb.com and bought a 2003 Epiphone Les Paul Plus Top (pictured below). However, when it arrived, I found that it had a tapered neck, which I felt was too thin for my liking. Despite it being a Gibson brand and a Les Paul, I quickly experienced buyer's remorse and became unhappy with it. It's currently back on Reverb for sale. I realized that if I was going to own a Les Paul, I wanted it to be the real deal.
The search was on. I looked online for another '78 Les Paul and quickly discovered that the prices were far out of my reach. During my search, I also learned about a feature now found in the Gibson line called "weight relief." As a result, I focused my search on finding a model without weight relief and with a beefier neck—at least thicker than the one on the Epiphone I had purchased earlier. That neck was too thin, and I really disliked it.
Over the next few weeks, I explored Guitar Center, Reverb, eBay, and various other sites for reviews and specifications on particular models. Eventually, I narrowed it down to the Gibson Les Paul Traditional model, specifically from the years 2013, 2014, or 2015, which featured a beefier neck. Then, I found it—actually, I found two that met my criteria on eBay, both with 50s-style necks, no weight relief on the body, and both from 2013.
However, there was one small detail: one had a cherry burst body (which I’m not a fan of), while the other had more of a honey burst. Naturally, the honey burst won out, and the images below illustrate why. As a quick side note, a closer inspection of the original box reveals that the color is listed as "Carmel burst," and it is part of the "New Traditional" lineup of the Gibson Les Paul series. Members of the Gibson guitar owners' page on Facebook confirmed this information, so, in retrospect, it’s close enough to honey burst for me.
So, what’s the verdict? Does the Traditional come close to my old '78 Les Paul Standard? I have to say “yes,” it does. The Traditional is more or less the equivalent of the Standard of old. The newer Standard models have chambered bodies, whereas the Traditional and the old Standard are solid. Furthermore, the newer Standards come with a slim 60s-style neck, while the Traditional features a beefier 50s-style neck.
I wanted to mention that I’m getting back into music purely for the enjoyment it brings. I still remember a few things and can navigate the fretboard, but with YouTube, I can easily explore genres I love—specifically blues and punk rock.
Now, regarding a couple of recent developments: some friends and I are toying with the idea of forming a cover band, focusing on punk music. Our main goal is to enjoy playing together, but that’s a topic for another blog post.
Lastly, I have to credit my renewed passion for playing to a few YouTube channels. First, there’s Dave Simpson from the Dave Simpson Trio in the UK, and then NYC instructor and performer Jeff McErlain. Additionally, my enduring love for jazz and blues music shines through in the Jazz and Blues YouTube channel. Months before I decided to get another Les Paul guitar, I was listening to these channels, and they reignited a spark within me as a middle-aged man. I’ve listed their channels below and highly recommend checking them out for a look and a listen.
“When I was young I wanted to play the guitar badly. After years of hard work, practice and determination, I can play the guitar badly”
Some links I found helpful:
This technically isn’t going to be my typical blog,
Read MoreThis time I decided to try a new case for my new phone; enter the Pelican Shield. To put it bluntly, the case failed me in less than 14 days after purchase. it literally (my phone) slid down my leg with pieces of the belt clip fell nearby
Read More‘96 was the second year Alligator Records Photographer Eugene Kimmons would toss me a bone, The year before (because of him) I covered the 1995 Chicago Blues Festival featuring Blues greats such as Luther Allison and Eddie Campbell.
Read MoreI’m just a few weeks late with the January blog, but for good reason. Last month I had gotten the Sony super sharp 135mm f/1.8 lens, I was at the time looking at what mirrorless camera body to complete my purchase; Sony’s A7 III and A7R III were in the running. But wait, the title of this blog post mentions the A7R II, So why the sudden detour from my previous choices.
Read MoreThis is me putting the cart before the horse, well the lens before the camera is more like it. I finally pulled the trigger and bought the Sony FE 135mm f/1.8 G Master lens. Wait, don’t I shoot Nikon, and isn’t this lens for Sony’s mirrorless camera system? Yes, it is. So have I switched over to Sony? Not exactly, I intend to stay with Nikon, I just decided to go mirrorless, and Sony got my attention.
Read MoreBeen so busy lately with family and personal endeavors that I didn’t post my October blog and nearly missed the November blog.
Read MoreI had to roll the dice on this month’s blog, the original idea was music-related, but I procrastinated too long to get the images ready in time. The second idea (this one) is somewhat fashion photography related, and what do I know about fashion photography you may ask?…. Jack……Shit!
Read MoreCarnival of Madness was actually my 2nd attempt at photographing Black Stone Cherry. My first attempt was back in 2009 in Corbin Kentucky at the newly built Corbin Arena
Read MoreRockstar Mayhem Festival, Raleigh, North Carolina, August 3, 2010. Though I could just pick many stories from this event, there is one in particular that stands out, and it goes something like this.
Read MoreSo it was a good time as any to make my purchase. I was going to have the June blog about these 2, showing sample images and my impressions and images from my test, that, of course, will have to be another day,
Read MoreWith all photo projects on hold, it gave me some time to rethink some of the photo tools at my disposal, and to get rid of what I didn’t need or wasn’t using enough of and bring in some much needed new gear.
Read MoreAs the COVID-19 pandemic takes our world by storm, many of my fellow photographers as well as myself have wiped our calendars clean of all photo shoots until further notice. I’ve been keeping myself busy with some re-edits from past assignments, photographing birds and attending online town hall meet ups and forums
Read Moremade me a 42x71 focusing cloth [dark cloth] to use with my Toya GII 4x5 camera. All I needed to do was to select the fabric.
Read More1996 was supposed to have been the year I moved out of Chicago, I had already quit my job with Kodak and was actually pretty excited of a change of scenery, but things happen and I was going to be in Chicago one more year before finally relocating in the winter of 1997.
Read MoreLuther Allison, Chicago Blues Festival, 1995
I remember when I first started to get the bug to shoot concerts, especially rock concerts, Though I had not a clue on how to go about it. Sure there were always some street festivals every summer, a lot of them bringing in some major talent along with the local scene, and lastly, there were the street musicians on about every street corner or subway stop. , and they were all easily accessible to anyone with a camera.
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